Jacob Hall

Last week, Split had a huge opening and everyone noted that M. Night Shyamalan was unquestionably back. But now, in week two, it feels a little more official. The second weekend saw the film holding onto its spot at the top of the box office charts, but it also did so while dropping a percentage most movies would kill for. In other words, people like Split and are telling their friends to go see it.

This weekend’s box office was essentially the hangover from last week’s big holiday: the numbers are a little smaller, very little in the top 10 actually moved around, and the only new release didn’t even come close to threatening the dominion of Moana and Fantastic Beasts and Where to Find Them.

The box office success of Moana feels like destiny: an old school Disney formula plus 21st century polish plus great songs plus the mere presence of Dwayne Johnson and near-universal critical notices is a surefire recipe for success...

And thus the 2016 summer movie season ended in a manner that reflected these past few months as a whole :  with a whimper. Despite three new releases, the rapidly tumbling Suicide Squad clung to the top spot, with last week’s runner-up, the raunchy animated film Sausage Party, once again coming in second place. It was a tough weekend for War Dogs, Kubo and the Two Strings, and Ben-Hur, each of which limped into the top 10 with unspectacular numbers.

This has been one of the strangest summers in recent memory when it comes to box office analysis, not because so many high profile movies have disappointed (although that has certainly been interesting), but because so many new releases are hanging out in the grey zone between hit and misfire. In an era where the success of so many movies is determined purely by opening weekend numbers, we’ve spent the past few months watching as movies has defied expectations after a weak opening or rode a solid opening into oblivion. The cut-and-dried successes can be counted on one hand.

How much does the new Ghostbusters need to make if it wants to be a bonafide, genuine hit? The opening weekend for director Paul Feig’s reboot of the beloved franchise raises more questions than answers and the second and third weekend will ultimately prove more telling. However, here’s what we can say right now: it opened with solid numbers in second place behind last week’s massive champion, The Secret Life of Pets.

In news that should surprise no one at all, Captain America: Civil War remained number one at the box office in its second weekend, dominating a week where the only new competition was a thriller skewed toward older audiences and a barely marketed horror film.

Once families finished feasting on Thanksgiving, they had several options: continue enjoying each other’s company in the privacy of their own home, brave the crowds in search of deals at the retail store of their choice, or nip any potential argument over politics in the bud by heading out to the movies. Option three was apparently a popular one this year, as the overall top 10 for the week was the healthiest it has been in awhile, with The Hunger Games: Mockingjay – Part 2 fending off The Good Dinosaur and Creed, which still performed well.

As expected, The Hunger Games: Mockingjay – Part 2 topped the box office charts this weekend. But like the war in the movie itself, it all feels like something of a hollow victory. That may seem like a weird thing to say about a movie that broke $100 million in its opening weekend, but this is a new low for the series’ box office receipts…and it’s not even close.

It was actually a pretty solid weekend at the box office for movies that weren’t brand new. If your movie was playing in its second, third, or even fourth week, you were fine. If your movie was a new release, you were in for a rough couple of days. While the The Martian, Goosebumps, and more showcased impressive legs, a huge batch of other movies faltered this weekend. At least five major releases fell flat on their faces.

The success of Hotel Transylvania 2 proved that family-friendly horror-themed movies stand to make a whole bunch of cash when released in the vicinity of Halloween. Now, Goosebumps is here to ensure that we’ll be getting slightly scary kids’ movies every October for the foreseeable future. The adaptation of the popular book series opened at number one, riding a wave of nostalgia and family appeal to a very strong start, beating out some pretty serious competition.

It’s October and you know what means — it’s time to dust off the horror genre and spend a few weeks screaming at your television. Since actually getting off your couch and actually getting a movie off the shelf is too much effort, we’ve gone ahead and done all of the hard work for you. Here are the 10 best horror movies currently streaming on Netflix Instant. From bonafide classics to newer discoveries, these movies have a little something for everyone.

Pan has had disaster written all over it for the better part of a year now, so it’s not surprising that Joe Wright’s Peter Pan origin story stumbled in its opening weekend. However, no one was prepared for it to stumble as badly as it did as it ran face-first into The Martian and Hotel Transylvania 2.

Good reviews and a phenomenal marketing campaign did their job this weekend. No number of foot-in-mouth moments from Matt Damon could harm the opening weekend of The Martian, which opened in the number one spot at the box office. After a surprisingly robust September, this is another sign that we may very looking at one of the bigger fall movie seasons in quite some time.

There are few performers as easy to watch as Justin Timberlake and Anna Kendrick. Both are blessed with that most uncommon superpower – they walk on screen and you instantly like them, no strings attached. So any movie that casts them side-by-side deserves your attention. If that movie is a musical, that movie becomes an instant must-see. But now Hollywood have decided to test your devotion by making them the leads in the upcoming Trolls, an animated musical based on those creepy Troll dolls.

Regal Cinemas is betting big on Spectre being a good movie. More specifically, they are betting that you, being the devoted James Bond fan that you are, will think Spectre is a good movie. Scratch that. They are betting on you thinking Spectre is a great movie, a movie worth seeing over and over and over again while it’s in theaters. That’s why they’re offering you the chance to buy an unlimited pass that will allow you see the 24th 007 adventure as many times as you’d like.

After September opened with a whimper, we were prepared for a dull couple of weeks. It looks like we shouldn’t have been so quick to judge. The one-two punch of The Perfect Guy and The Visit have suddenly made the least interesting month of the year interesting, opening big and opening close enough to one another to make for an interesting race. In the slower movie months, weekends like these are rare treats.

All summer movie seasons end with a whimper and 2015 was no different. The final weekend of August was a pretty sad display across the board, with Straight Outta Compton nabbing the number one spot by default while just about every new release faltered. You know it’s a slow weekend when a movie promoted exclusively to faith-based audiences nabs the number two spot.

Straight Outta Compton dominated the box office for the second weekend in a row, ensuring that every other movie in the top 10 that doesn’t feature Tom Cruise trembled in its mighty wake. Anyone with their finger on the cultural pulse foresaw the N.W.A. biopic doing well, but it’s performing above and beyond all expectations.

Every time a movie about and for audiences who aren’t white and male does well, everyone acts like it’s a big surprise. “Black people and women like movies? Who’da thunk it?” It’s actually not surprising at all that Straight Outta Compton had a massive opening, handily defeating its more standard competition. Because all kinds of people like movies and when you make movies for all kinds of people, you end up with huge weekends at the box office.